Programs/Content
Susanne Simpson leans into EP role at ‘Masterpiece’
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“What I hope I’m doing in offering my creative contributions is taking us to a new place in terms of actual original programming,” she says.
Current (https://current.org/current-city/oakland/page/6/)
“What I hope I’m doing in offering my creative contributions is taking us to a new place in terms of actual original programming,” she says.
“Building radical listening and field recording into our program offerings announces to the audience that we understand our public service role as custodians of culture and media representation.”
The June through August 2024 period was, at best, sluggish for station fundraising across several key performance indicators compared to the same period in 2023.
As Matthew McConaughey’s character says in “True Detective,” “Time is a flat circle.” It’s not a content strategy.
After retiring from Atlanta’s WABE in 2008, Killingsworth pursued her interests in journalism.
As we continue to bring a greater community focus into public media journalism, it is important to redefine how marketing can help journalism and journalism can help marketing.
The potential for AI and immersive tech to amplify our mission and impact should be a call to action for public media organizations to embrace and shape these technologies responsibly.
“We are tired, but we are all safe and well,” said Judith Smelser, president and GM of Central Florida Public Media in Orlando.
With more than 200 public radio stations and NPR itself now using the Grove content management system for their websites, public media’s digital infrastructure overhaul is moving forward.
CPB’s board unanimously elected Ruby Calvert as chair.
The grants will benefit stations in seven states.