WDFH-FM in New York’s Hudson Valley faces “financial emergency”

A signal expansion in the lower Hudson Valley three years ago depleted WDFH-FM’s cash reserves and now the Ossining, N.Y., community radio station “finds itself in financial straits,” according to The Daily Dobbs Ferry. Executive Director Marc Sophos, who helped found the station 39 years ago as a high-school freshman, said the station faces doing dark. “There’s a short-term financial emergency right now,” he said. “It’s urgent. We do need to find this money or else the station will go under.

WCVE in Virginia plans “puzzle-solving” fundraiser

WCVE, Central Virginia’s Community Idea Stations, is planning a unique fundraiser for this spring: A “puzzle-solving event” designed by Ravenchase Adventures in Richmond, Va. The Big Idea Challenge runs April 29 through June 2 and the station hopes to raise $250,000 to supplement its on-air pledge dollars.”With the uncertain status of government funding, we have been looking for lots of different ways to reach out beyond our traditional audiences and involve folks who peripherally know about us but may not be as close,” Lisa Tait, vice president for development at WCVE, told the Richmond Times-Dispatch. “We wanted something different to tie in with our mission and with the people who like public broadcasting, who are intellectually curious.”Teams will pay a $30 entry fee for contest. Challenges change weekly and will highlight five areas pubTV “impact areas” — arts and culture, history, science, children’s education and news/public affairs. Teams earn a point for each dollar of fundraising, and up to 500 points by solving weekly puzzles.

APTS, CPB, PBS ask FCC to exempt pubTV stations from new reporting requirements

Three national pubcasting organizations are encouraging the FCC to exempt pubTV licensees from any new public interest reporting requirements, in a Jan. 27 filing with the commission. The Association of Public Television Stations (APTS), Corporation for Public Broadcasting (CPB) and Public Broadcasting Service (PBS) prepared the filing in response to the FCC’s notice of inquiry in November 2011 soliciting input on a proposal “to replace the issues/programs list that television stations have been required to place in their public files for decades with a streamlined, standardized disclosure form that will be available to the public online.”“We support the commission’s effort to standardize information about their public interest programming and activities,” said Lonna Thompson, APTS c.o.o., in a statement Monday (Jan. 29). “However, we strongly encourage the commission to exempt public television licensees from burdensome reporting requirements given public television licensees’ demonstrated success in delivering upon their mission to provide programming that addresses the needs and interests of their local communities.”

Upsides: Reconceived public stations can ‘be more PBS’ and be more local

The stations are here so they can understand and illuminate a community’s aspirations and concerns, engage people in the life of their community, and help people reengage and reconnect with one another. — Richard C. Harwood and Aaron B. Leavy1

The remark above reflects a way of thinking strategically about the institution of public broadcasting at this point in our history. Today, public media boards and executives face such strategic questions as:

What can we do to be a more significant and engaged institution in our community? What should be our focus, and what does that mean for redeploying resources from current activities? How can we help nonprofit and government entities be more effective when their missions are in greater demand?

Scale: Wisconsin net has economies of size and local bureaus, too

Nothing comes easily to public radio, not even a good idea. About 30 years ago, Wisconsin Public Radio veteran Jack Mitchell came up with the concept of banding together small stations throughout Wisconsin into a centralized system, within which a mothership would handle overhead and distribution, thus freeing up resources for stronger local content. Today, Wisconsin Public Radio operates 33 stations that benefit from strength in numbers – some of which might not exist today were it not for a centralized system. Each station is tied to one of two statewide networks, one featuring the NPR newsmagazines and classical music and the other mostly state-oriented talk programming. WPR “has twice as much programming” as a single network, said Mitchell, who now teaches at the University of Wisconsin – Madison, and the networks don’t air the same programs at the same time.

Capital: With federal aid gone, tech fundraising starts from scratch

The evaporation of the Commerce Department’s Public Telecommunications Facilities Program and the dwindling of other funding sources have created a critical situation at stations needing to purchase or update equipment for broadcasting. PTFP had provided public stations more than $233 million in capital funds since 2000. The congressional budget ax fell in April 2011, zeroing out PTFP’s annual $20 million allotment for matching grants. Compounding the problem is the parallel fall-off of state money, which also helped some stations cover equipment costs. At the same time, hardware for the first digital TV installations in the early 2000s is slowly approaching replacement time.

Current participates as information provider in a series of forums

With this package of articles, Current begins publishing a series of articles on Public Media Futures, appearing in conjunction with a two-year series of quarterly forums starting this month. The forums are co-sponsored by USC Annenberg’s Center on Communication Leadership and Policy and American University’s School of Communication, which publishes Current. Both the articles and the accompanying forums are planned to amplify and contribute to conversations already underway in the field about serious issues facing public service media companies in the 21st-century. The recession and trends in media technology are shaking the structural and financial foundations of public media, suggesting that some of the system’s major operating assumptions will have to change. These articles include commentaries from thinkers in the field as well as reports by Current writers.

Stanton joins KPCC, MPR vet honored by governor, Alaska pubradio icon retires, and more…

A former top editor of the Los Angeles Times, Russ Stanton, has joined APM’s Los Angeles station
KPCC in Pasadena, Calif., announced a major hire last week: Former Los Angeles Times Editor Russ Stanton has joined the station as its new v.p. of content. Stanton’s arrival “is part of an aggressive effort by the nonprofit news organization to become the preeminent regional source for both broadcast and online news — with deeper, more enterprising and investigative coverage,” KPCC declared on its website. Stanton had left the newspaper last month in what was announced as a “mutual decision” with Times President Kathy Thomson. In his four years at the helm, the Times won three Pulitzer Prizes, including a prestigious Public Service award. At KPCC, Stanton will be responsible for the station’s broadcast, website and live events coverage; one of his first duties will be to select an executive editor to supervise daily radio and digital news operations.

At Realscreen Summit, Kerger envisions potential for PBS Foundation

WASHINGTON, D.C. — At the packed “Looking Ahead with the Pubcasters” session at Monday’s (Jan. 29) Realscreen Summit, PBS President Paula Kerger once again spoke of the potential the PBS Foundation holds for the future of the organization.”It’s just starting to ramp up,” she said of the foundation. “It isn’t the full answer for us because the amounts of money are reasonably low, but it has given us a little more flexibility to do some things relatively more quickly.” One example: PBS was able to acquire a film on Steve Jobs soon after the Apple founder’s death on Oct. 5, 2011; Steve Jobs — One Last Thing premiered on PBS member stations the next month.

In Des Moines, IPR listeners get new all-classical service, more changes to come

Iowa Public Radio has completed launch of its new all-classical service in Des Moines. IPR Classical now airs on two commercial FM frequencies — KICP 105.9 and KICL 96.3 — that were purchased last summer for $1.75 million.The signal expansion gives IPR Classical a broadcast footprint of more than 400,000 potential listeners and improves the outlook for membership and underwriting income.WOI 90.1 FM, IPR’s flagship channel in Des Moines, continues to split its broadcast day between NPR News and classical music, but that could change soon. IPR looks to expand the reach of its Studio One format, which combines news and alternative music programming, and is evaluating format switches for its other Des Moines area stations. Decisions on programming changes are still pending, according to Al Schares, music director.In a signal expansion project that will realign public radio services for listeners in western New York State and across the Canadian border, Buffalo’s WNED will complete its $4 million purchase of WBFO-FM on March 1. Station officials announced the sale closure date last week, but are not ready to talk about their programming plans.

Capacity: Radio’s local newsrooms weigh in

As the chorus calling on public media to add more local journalists grows, let’s be mindful of the specific ways adding journalists can dramatically improve local public service. Just by enlarging its newsroom to four, five or six journalists, a station will gain the human wherewithal to unleash a proper beat system. Beats cause reporters to become specialists. With a news staff of six, for example, a newsroom could have reporters well versed in the actors, history and nuances of a starter set of beats — education, health, business, law, environment and arts/culture. These specialists are more likely to break original stories, to know when it’s important to follow up, and to extract meaningful news analysis from a week’s events.

Oklahoma legislators introduce two bills to zero out pubcasting funds to OETA

Two Oklahoma lawmakers are proposing ending funding for Oklahoma Educational Television Authority, the pubTV network based in Oklahoma City, reports the Tulsa World newspaper. Senate Bill 1689 would end state money for “public media or establishing a statewide educational television system,” and OETA is the only Oklahoma public media to receive such funding. Pubradio KOSU and KGOU receive funding indirectly through their university licensees schools, not through appropriations. House Bill 3039 would end OETA funding over the course of five years. “If that money were to go away, this would be a very different operation, and it would not — could not — continue to be a statewide operation,” said John McCarroll, OETA executive director.

CPB will seek operator to develop American Archive; director leaves project

Having lost its digital projects fund last year, CPB lacks the money to develop the American Archive much further, according to Mark Erstling, senior v.p. The next step is to find an outside institution to adopt and support creation of the proposed archive of public stations’ historic audio, video and films.

That helps explain why professional archivist Matthew White left CPB Jan. 13 after two years as executive director. “It was very clear to him that things were going to change significantly,” Erstling says, and White accepted an offer to lead a “significant” archiving project abroad. White could not be reached for comment. CPB declined Current’s multiple requests for interviews with White over the previous two years.

Idaho PTV faces “loss of service” in wake of capital funding cut

Idaho Public Television needs funding for capital equipment purchases, General Manager Peter Morrill told the Joint Finance-Appropriations Committee of the state legislature Friday (Jan. 27). The network has not received its usual state appropriation for equipment for the past three years, reports the Spokesman-Review, and is asking for $1.5 million. “Our operating model is not sustainable with current capital funding levels,” Morrill told members. “Continued deferral of equipment repairs and maintenance will lead to loss of service.” The governor’s budget recommendation for IPTV for next year calls for a 0.5 percent increase in general funds.For much more on the loss of capital equipment funding across the system, see the Jan.

Is “Downton” creating online pirates?

Obsessive Downton Abbey fans are turning into programming pirates, reports Salon, poking around in what it calls “some dark corner of the Internet” to find episodes that have already run on Britain’s ITV but not yet on Masterpiece. When the writer of the piece, John Sellers, confessed to Downton actor Hugh Bonneville (the Earl of Grantham) that he’d watched the Downton Christmas special online, Bonneville replied: “I wish you hadn’t told me you watched it illegally. That’s really pissing me off. Shame on you. Be ashamed.” PBS viewers are still awaiting that episode, which is set to air in February.Sellers spoke to Rebecca Eaton, Masterpiece e.p., about the delay between the original airing overseas and when Downton hits PBS.

W.V. pubcaster cutting programming due to budget squeeze, director tells lawmakers

Dennis Adkins, West Virginia Public Broadcasting executive director, told state legislators that state funding reductions and loss of corporate underwriting have forced the station to make programming cuts, reports the Charleston Gazette. Speaking to lawmakers on Thursday (Jan. 26), Adkins said further program cutbacks may be necessary. “We’re seeing erosion in our ability to provide a quality public broadcasting product to the citizens of West Virginia,” Adkins told members of the House Finance Committee. “To put it bluntly, our expenses are outpacing our revenues.”

KPCC places billboard next door to rival KPFK

Has KPCC “punked” fellow pubradio station KPFK with a “billboard prank”? So says an item on OC Weekly’s Navelgazing blog written by Gustavo Arellano, a reporter for the paper who has also appeared on both stations in southern California. KPCC, an NPR member station, has erected a bold orange billboard on the the roof of building right next door to KPFK, a Pacifica outlet, that reads: “Ideas, not ideology.” Perhaps a poke at left-leaning Pacifica?UPDATE: Craig Curtis, program director at KPCC radio, tells Current that the placement was a “complete coincidence — although I’m sure people may not believe that.” Locations are rarely specified in billboard buys, Curtis said, and KPCC’s sign just landed there.

PBMA rebrands as Public Media Business Association, launches new website

The Public Broadcasting Management Association (PBMA) on Thursday (Jan. 26) announced a full rebranding of the organization, which serves financial, human resources, legal, information systems and administrative managers of public TV and radio stations.It’s slightly twisting the current PBMA acronym into PMBA: the Public Media Business Association, positioning itself as the “go-to” association “focused on delivering programs and services that enhance the efficiency, effectiveness and economics of public media,” the McLean, Va.-based group said in a press release.“The county’s need for public media is greater than ever, but public media stations face severe economic and funding challenges,” said PMBA Board Chair Tom Livingston. “It is critical that stations become as efficient as possible in how we manage our businesses and human resources. The new PMBA is now more effectively positioned to serve the business needs of public media.” The organization, previously managed by the National Educational Telecommunications Association (NETA), switched to Coulter Nonprofit Management last year, requesting a full strategic review of the former PBMA’s market objectives, market position, brand identity, and programs.A new website reflects the changes; new PMBA social media pages on Facebook and Twitter are accessible through that portal.The group was founded in 1979 as the Public Telecommunications Financial Management Association, with an original membership of station financial professionals. Its annual conference takes place this year May 29 to June 1 in Las Vegas.