Gingrich wants to ‘zero-out’ federal funding to CPB

House Speaker-designate Newt Gingrich said on his weekly cable TV show last week that he wants to “zero-out” CPB funding this year. Remarks by Gingrich (R-Ga.) and new Senate Commerce Committee Chairman Larry Pressler (R-S.D.) fit perfectly into a dire scenario described in newspaper columns by commentators from Linda Ellerbee on the left to New York Post critic John Podhoretz on the right. Anticipating a coming legislative struggle, presidents of the public broadcasting’s national organizations have joined a task force convened by CPB President Richard Carlson. The leaders aim to “generate a full positive and informative picture of … what public broadcasting does and what it is that CPB funding buys,” said CPB spokesman Michael Schoenfeld.

Orlando Bagwell: History-teller takes his craft into new realm

In many ways, Orlando Bagwell’s work announced his arrival as a notable creative talent years ago, when he and a handful of mostly inexperienced, young producers collaborated with Henry Hampton on Eyes on the Prize, the civil rights series that made television history in 1987. The opportunity to work as a member of Hampton’s team “changed my whole life,” Bagwell recalled. A young father who made his living primarily as a cameraman for public broadcasting stations and producers, Bagwell had come to believe that path would take him through life — until Hampton offered him the chance to produce and direct his own films on the civil rights movement. Now, less than a decade after Eyes premiered, the 43-year-old producer’s credits include some of the most important films dealing with African-American history and culture that have aired on public television — most recently, “Frederick Douglass — When the Lion Wrote History” and “Malcolm X — Make It Plain.”

Bagwell finds himself at another crossroads, seeking and embracing new challenges so that he will continue to find gratification in his work. Having learned his craft in historical documentaries, Bagwell is stepping into performing arts programs, a form he explored as a producer/director for WNET’s Dancing miniseries.