Public radio’s The Takeaway has more than doubled its carriage since cancellation of NPR’s Talk of the Nation, and the show’s producers are working to add even more outlets by building news collaborations with station-based reporters and programmers.
WLRN in Miami won large-market radio Murrows for feature reporting and use of sound. Chicago’s WBEZ also won for news documentary and hard-news reporting. The award for investigative reporting went to KQED and the Center for Investigative Reporting, both based in San Francisco, for “Broken Shield: Exposing Abuses at California Developmental Centers.”
Crisis coverage will stress several layers of your operating systems — from the layout of your newsroom to the editorial decision-making process; from the flexibility of your web-hosting service to interpersonal relationships among key staff members, each of whom will be asked to step up and work under conditions they have never faced.
The competition for midday timeslots on public radio stations is heating up, as Public Radio International and producers of its news programs unveiled plans to experiment with new approaches for combining national and local content to give stations more control over what their local listeners hear during the middle of each weekday.
The National Endowment of the Arts announced $4.68 million in funding to 76 media-arts projects April 23, including new grantees such as the Online Video Engagement Experience (OVEE) developed with CPB funding, a new initiative from the Association of Independents in Radio called Spectrum America and Sonic Trace, a multimedia production at KCRW in Santa Monica, Calif., that was created through AIR’s recently concluded Localore project. For a second year, the NEA will continue to support projects that use digital technologies to go beyond traditional broadcasting platforms. In its announcement, the endowment highlighted a $100,000 grant to OVEE, a digital platform that allows web users to interact while watching PBS and local station content. The Independent Television Service developed the technology with support from CPB. AIR also received $100,000 for Spectrum America, a project that will pair media artists with public stations as they experiment with “new approaches to storytelling.”
Sonic Trace, a co-production at KCRW initiated through AIR’s 2012–2013 Localore initiative, received a direct NEA grant of $75,000 to continue exploring the experience of Latino immigrants. NEA also backed digital media projects at NPR, providing $100,000 for music programming and multimedia content.
Judges in the 72nd annual Peabody competition selected winners as “the best in electronic media for the year 2012,” including PBS programs presented on Independent Lens, NPR’s coverage of the Syrian conflict and a ProPublica investigation produced with This American Life.
If you’re a public radio station without a plan for how to take advantage of the remarkably flexible and creative platform of podcasting — a platform that leverages your existing skills better than anything else in new media — you need to think again.
New York’s WNYC has released for the first time recordings of the Rev. Martin Luther King Jr. interviewed on several occasions in the 1960s by Eleanor Fischer, a Canadian Broadcasting Corp. reporter who later worked for NPR. The interviews capture King discussing a wide range of subjects, including his childhood, his adoption of nonviolent resistance tactics, and the Montgomery bus boycott. The recordings were among tapes given to WNYC’s archive in 2008 after Fischer passed away. “We are a rich archive in content but not a huge staff of people and we have received many collections,” wrote Archive Director Andy Lanset in an email to Current.