Programs/Content

PandoDaily article questions funding of WNET pension series

By |

Charges that a public TV reporting initiative about pensions is ethically compromised by its funding sources led to a fiery exchange today between the funder in question and reporter and columnist David Sirota, who leveled the claims in an article for the Silicon Valley news site PandoDaily. Sirota pointed out in his story that The Pension Peril, a two-year reporting initiative produced by New York’s WNET, receives most of its funding from the Laura and John Arnold Foundation. Co-founder John Arnold, a hedge-fund manager and former trader for Enron, has contributed to political campaigns urging state lawmakers to reduce pension benefits for public employees, according to Sirota. WNET largely neglects to disclose the relationship, Sirota wrote, though he did turn up a reference on a Pension Peril report’s web page. According to WNET, The Pension Peril has so far delivered reports for two shows that it produces: PBS NewsHour Weekend, which PBS distributes nationally, and Long Island Business Report, which airs on WNET’s Long Island outlet. The reporting project examines “the deficit in funding for public employees’ retirement benefits,” according to a news release from the station.

Quick Takes

Afternoon roundup: Ombud complaints down, filmmaker knocks WETA

By |

• In his annual review of objectivity and balance in CPB-funded programming, CPB Ombudsman Joel Kaplan noted “far fewer complaints directed at public media,” continuing a trend of the past few years. “Whether that is because public media has improved in this area; people have grown tired of complaining about a lack of balance; or there were just not that many controversial stories this year is not clear,” he noted. Looking back over 2013’s controversies, Kaplan also criticized NPR’s reaction to a lengthy report by its own ombudsman that found fault with an award-winning NPR investigation. As Ombudsman Edward Schumacher-Matos reviewed the three-part series about South Dakota’s foster-care system for Native American children, he “took the unusual step of re-reporting the story,” Kaplan wrote. NPR execs called the ombud’s report “deeply flawed”and said little would be gained “from a point-by-point response to his claims.”

System/Policy

In review of pubTV stations, CPB’s Krichels sees ‘energy in the system’

By |

Ted Krichels, CPB’s senior v.p. for system development and media strategy, recently talked to Current about the 50-page “Public Media Models of the Future” report he co-authored this fall with PBS Director of Strategy Stephen Holmes. Edited, rearranged and condensed excerpts from that conversation follow. Current: How did you start the process? Did you survey the entire system, or was it more word of mouth? Ted Krichels: Stephen and I initially were collecting stations, ones you would have heard about.

Programs/Content

Nashville-based radio music show heads to public television

By |

Music City Roots: Live from The Loveless Cafe, a weekly radio show and HD webcast featuring roots, alt-country and Americana music from Nashville, is heading to public television as a 13-episode series showcasing performances from its 2012 season. The show will be released for pubTV broadcast Sept. 5, presented by Nashville Public Television and distributed by American Public Television. Carriage commitments from 75 stations so far includes major markets such as WNET in New York and WGBH in Boston. In each episode, emcee Keith Bilbrey — a former Grand Ole Opry announcer — welcomes musicians to a 600-seat barn at the Loveless Cafe, built in 1951 and locally famous for its homemade fried chicken and biscuits.

People

Pubradio contenders dominate radio division of Sigma Delta Chi Awards

By |

Public radio reporters took all nine awards for radio reporting in this year’s Sigma Delta Chi Awards, which recognize outstanding reporting on radio, TV and the Web by national and local news organizations. NPR’s Ina Jaffe, Quinn O’Toole and Steven Drummond won for breaking news reporting (network syndication) for “Los Angeles VA Has Made Millions on Rental Deals.” For investigative reporting, John Ryan and Jim Gates of KUOW in Seattle were cited among stations in markets 1–100 for “Shell’s Arctic Oil-Spill Gear ‘Crushed Like a Beer Can,’” while Sandy Hausman of WVTF and Radio IQ in Roanoke, Va., won in the 101+ market category for “Naming the Fralin,” about naming the University of Virginia Art Museum. In the feature categories, Linda Lutton, Cate Cahan and Sally Eisele of Chicago’s WBEZ won for “The weight of the city’s violence, on one school principal,” and Lance Orozco of KCLU in Thousand Oaks, Calif., for “My Cancer.”

NPR’s State of the Re:Union, co-distributed by Public Radio Exchange, won the syndicated documentary award for “As Black as We Wish to Be,” which explored an Appalachian foothills town in Ohio where residents who look white identify as African-American; it was reported and produced by Lu Olkowski, Laura Spero, Taki Telonidis and Al Letson. Alabama Public Radio’s “Winds of Change,” coverage by Pat Duggins, Ryan Vasquez, Maggie Martin and Stan Ingold of a Tuscaloosa tornado, won for smaller-market documentary. The public service in radio journalism winners were “If it’s legal: Five ways legal pot could affect your life,” by the staff of Seattle’s KPLU (markets 1–100); Charles Lane and Naomi Starobin of WSHU in Fairfield, Conn., for “State struggled at fire prevention ahead of Manorville blaze.”

In the television categories, San Francisco’s KQED and the Center for Investigative Reporting won for large-market (1–50) documentary for “Heat and Harvest,” a report on the effect of climate change on California agriculture by Mark Schapiro, Serene Fang, Gabriela Quiros and Craig Miller.

Programs/Content

All-Star Orchestra to bring classical masterworks to WNET, APT

By |

The All-Star Orchestra, made up of top professional musicians from across the country, will produce eight pubTV programs of classical masterworks. The one-hour shows, titled All-Star Orchestra and set for broadcast on New York’s WNET over eight Sundays this fall, will feature performances of classics by American composers as well as guest interviews and commentary by the group’s Music Director Gerard Schwarz. American Public Television will distribute the programs nationally. In last month’s announcement, WNET programming exec Stephen Segaller said the project is “in the tradition of Leonard Bernstein’s celebrated programs that popularized classical music on television,” such as the critically acclaimed Omnibus, 1952–61, and Young People’s Concerts, which Bernstein led from 1958–72, the first series televised from Lincoln Center. The All-Star Orchestra’s performances were filmed in HD with 19 cameras last August at New York’s historic Grand Ballroom at Manhattan Center.

System/Policy

NEA announces 2013 media arts grants; OVEE and AIR projects among recipients

By |

The National Endowment of the Arts announced $4.68 million in funding to 76 media-arts projects April 23, including new grantees such as the Online Video Engagement Experience (OVEE) developed with CPB funding, a new initiative from the Association of Independents in Radio called Spectrum America and Sonic Trace, a multimedia production at KCRW in Santa Monica, Calif., that was created through AIR’s recently concluded Localore project. For a second year, the NEA will continue to support projects that use digital technologies to go beyond traditional broadcasting platforms. In its announcement, the endowment highlighted a $100,000 grant to OVEE, a digital platform that allows web users to interact while watching PBS and local station content. The Independent Television Service developed the technology with support from CPB. AIR also received $100,000 for Spectrum America, a project that will pair media artists with public stations as they experiment with “new approaches to storytelling.”

Sonic Trace, a co-production at KCRW initiated through AIR’s 2012–2013 Localore initiative, received a direct NEA grant of $75,000 to continue exploring the experience of Latino immigrants. NEA also backed digital media projects at NPR, providing $100,000 for music programming and multimedia content.

Programs/Content

Scarce funding limits public media’s response to gun debate

By |

The mass shootings last year in Colorado, Wisconsin and Connecticut reawakened Americans to recurring tragedies of gun violence and rekindled a national debate about gun control — one that public radio and television have chronicled and analyzed through ongoing programs and the package of special broadcasts that aired on PBS last month.

Programs/Content

Public TV’s first TED Talks Education special tapes live this week

By |

TED, the nonprofit behind the high-profile conferences about ideas in technology, entertainment and design (as well as NPR’s new weekend series), and WNET will co-produce TED’s first original television show this spring. TED Talks Education will tape before a live audience Thursday at the Brooklyn Academy of Music. The New York City station is partnering with PBS and CPB for the hourlong program of short talks by education advocates on the theme of teaching and learning. TED Talks Education will air nationally May 7 on PBS as part of CPB’s American Graduate high-school dropout initiative. Musician John Legend will host.

Programs/Content

American Masters to shine light on reclusive author J.D. Salinger for 200th episode

By |

The author of The Catcher in the Rye and Franny and Zooey died in January 2010 after living for more than 50 years as a recluse in Cornish, N.H. Shortly after news of his death emerged, Hollywood screenwriter Shane Salerno announced he had been covertly working on Salinger, an independent documentary probing the author’s sheltered existence. Susan Lacy, American Masters executive producer, learned of Salerno’s film while attempting to procure the rights to an unrelated Salinger biography for the program. Salerno — whose screenplay credits include Alien vs. Predator: Requiem and Oliver Stone’s Savages — agreed to produce his film for American Masters after Lacy contacted him. Salerno is a fan of American Masters and says he taught himself the craft of documentary filmmaking by watching the biography series.

People

Nine Network of St. Louis recognized as ‘Best of the Best’ in 2012 NETA Awards

By |

The St. Louis public TV station’s Nine Academy, a program that trains individuals and community organizations to produce short videos on stories of “community impact,” received special recognition among the awards presented during NETA’s recent conference in St. Louis. In honoring the academy as the top winner in its annual awards program, NETA cited the station for groundbreaking community work. NETA recognized 20 public TV stations in 30 categories spread across four divisions — community engagement, content production, instructional media and promotion.

Development

Second pubTV station pays fine for missteps handling federal grants

By |

When the U.S. Attorney’s Office for Massachusetts announced a settlement with Boston’s WGBH over its handling of $60 million in federal grant funds, it was the second time in two years that a major producing station had come under scrutiny by auditors for its handling of grant monies for public TV productions.

System/Policy

Pubcasters battered by Superstorm Sandy

By |

When Superstorm Sandy slammed into the most populated region of the United States Oct. 29, claiming at least 90 lives and wreaking havoc on everything in its path, public broadcasting stations along the Eastern Seaboard couldn’t escape the storm’s wrath.