The competition for midday timeslots on public radio stations is heating up, as Public Radio International and producers of its news programs unveiled plans to experiment with new approaches for combining national and local content to give stations more control over what their local listeners hear during the middle of each weekday.
The National Endowment of the Arts announced $4.68 million in funding to 76 media-arts projects April 23, including new grantees such as the Online Video Engagement Experience (OVEE) developed with CPB funding, a new initiative from the Association of Independents in Radio called Spectrum America and Sonic Trace, a multimedia production at KCRW in Santa Monica, Calif., that was created through AIR’s recently concluded Localore project. For a second year, the NEA will continue to support projects that use digital technologies to go beyond traditional broadcasting platforms. In its announcement, the endowment highlighted a $100,000 grant to OVEE, a digital platform that allows web users to interact while watching PBS and local station content. The Independent Television Service developed the technology with support from CPB. AIR also received $100,000 for Spectrum America, a project that will pair media artists with public stations as they experiment with “new approaches to storytelling.”
Sonic Trace, a co-production at KCRW initiated through AIR’s 2012–2013 Localore initiative, received a direct NEA grant of $75,000 to continue exploring the experience of Latino immigrants. NEA also backed digital media projects at NPR, providing $100,000 for music programming and multimedia content.
A crowdfunding campaign launched April 15 by Public Radio International seeks $25,000 for a “Global Stories Fund” that will support 11 international stories to be presented on PRI’s The World and other news programs.
More than six weeks after first announcing his arts-and-culture radio program’s exit from longtime distributor PRI, Jesse Thorn revealed the details of Bullseye’s new partnership on his Tumblr account Feb. 7. Beginning in April, the program will be distributed through NPR, with no break in carriage after the program’s relationship with PRI ends in late March.
Dec. 31, 2012, marked the last day that Lisa Mullins, longtime host of PRI’s The World, held that position. On Jan. 1, reporter and substitute host Marco Werman took over hosting full time, a promotion that PRI announced Dec. 7.
After two-plus years of planning and prototyping a shared hub providing easy access to digital content from across public media, partners in the Public Media Platform will begin building the new technical system next month.
WGBH’s acquisition of Public Radio International, announced July 26, positions the station and network to step up their longtime collaboration as co-producers.. PRI will remain operationally independent … and be responsible for raising its own revenue…