System/Policy

PBS proposes 2% dues increase, okays common-carriage extension

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PBS is seeking a 2 percent increase in membership fees in its draft budget for fiscal 2013. Although still subject to review by station execs and formal approval by the PBS Board, the proposed dues hike would be the first since fiscal 2009. “A key focus of this budget is the performance of critical maintenance on PBS’s technology infrastructure that is necessary to maintain reliable distribution of content to stations,” PBS spokesperson Jan McNamara told Current in a statement. “The majority of station dues [are] dedicated to content. This will continue to be the case in the coming fiscal year.

Independent producers

Independent producers’ open letter to PBS, March 2012

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Independent producer Kartemquin Films posted this petition online to arrange more favorable scheduling than Thursday nights for the indie showcases POV and Independent Lens. See also <Current coverage. Taking Action: PBS Needs Independents
March 15, 2012

The following is an open letter to PBS. We encourage all independent filmmakers and fans of public media to join us as signatories by commenting below, or emailing us at [email protected], or tweet #PBSNeedsIndies to us on Twitter. Kartemquin has a long history of supporting public broadcasting, and we feel we must again rise to the challenge in raising our concern, and hopefully awareness and action, over the issues below. As independent filmmakers, as participants in the evolution of public broadcasting, as viewers and as citizens, we protest PBS’ decision to move the two premier strands of independent documentaries, Independent Lens and POV, from their established home on Tuesday nights to Thursday, a night on which local stations program locally-selected material.

Programs/Content

Suspects charged in connection with 2011 cyberattacks on PBS, other entities

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Five suspects, considered among the “most sophisticated hackers in the world” by authorities, were arrested and charged Tuesday (March 6) in Manhattan federal court with conspiracy in connection with computer attacks last year against PBS, Fox Broadcasting Co. and Sony Pictures Entertainment, reports CNN. A sixth suspect pleaded guilty in August to computer hacking and other crimes and has been cooperating with government investigators. On May 29, 2011, techs at PBS.org as well as the NewsHour and Frontline websites spent hours regaining control during the cyberattack (Current, June 13, 2011). The hack exposed contact information for hundreds of PBS staffers, stations, producers and press, as well as several internal PBS databases.

People

Mundt to NPR, APM lays off Alvarado, Pulitzer-winning cartoonist joins WHYY, and more…

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NPR has hired Todd Mundt as editorial director for NPR Digital Services
In his new position, Mundt will help stations develop digital content strategies and oversee news training offered to them. He now serves as v.p. and chief content officer at Louisville Public Media in Kentucky, p.d. of the licensee’s news/talk station and its local host for Morning Edition. Before joining Louisville’s three-station complex, he was director of content and media at Iowa Public Radio, chief content officer for Michigan Public Media in Ann Arbor and host of an NPR-distributed talk program, The Todd Mundt Show. Mundt is chair of the Public Radio Program Directors Association and has served on the Public Media Platform advisory council. Bob Kempf, g.m. of the Boston-based NPR unit, said the hiring completes the Digital Services management team, which also includes Stephanie Miller, director of station relations; Steve Mulder, director of user experience and analytics; Doug Gaff, director of technology; and Keith Hopper, director of product development.

People

NPR promotes Wilson to chief content officer, Arnold departs PRI, and more…

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NPR President Gary Knell has restructured the news organization’s top ranks, elevating digital chief Kinsey Wilson to executive v.p. and chief content officer and appointing Margaret Low Smith senior v.p. of news, a job she took on an interim basis last year. When Wilson joined NPR as senior v.p. and general manager of digital media in 2008, the position was parallel to the senior news exec post then held by Ellen Weiss. Knell’s restructuring elevates Wilson in NPR’s organization chart to supervise all of NPR’s content areas — news, programming and digital media. “In Kinsey and Margaret, we have two journalists, strategists and leaders with a keen understanding of the craft that distinguishes NPR — and how we continue to innovate and evolve,” Knell said in a news release. The new structure allows for greater coordination of NPR’s news, digital and programming strategies, and a “more seamless integration” of its news operations, according to the release.

Programs/Content

Output: PBS’s first-ever Online Film Festival screens 20 short films, gilded applause for The Moth, public education through Indian humor, and more

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Partners in the project are the pubmedia minority consortia — the Center for Asian American Media, Latino Public Broadcasting, Native American Public Telecommunications, the National Black Programming Consortium and Pacific Islanders in Communication — as well as the Independent Television Service and POV. The festival will be offered for video streaming on PBS.org and the redesigned PBS YouTube channel, which will be unveiled as the festival opens. The festival includes an audience participation element. Viewers can cast online votes for their favorite films, and PBS will recognize the winner with a People’s Choice festival award. PBS will use the Twitter handle #PBSolff to build social media buzz during the five-week run.

Programs/Content
Photo illustration of the Abbey and its inhabitants illuminated by the fiery light of battle

Unusual rights delay: hint of budget strife?

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PBS’s ongoing negotiations to curb per-hour costs of producing programs and to assert more control over content are increasing friction with its largest producer, Boston’s powerhouse WGBH, according to sources at other stations with knowledge of the situation.

For a period until just four days before the second-season premiere of the gem of this season’s PBS schedule, Downton Abbey from Masterpiece Classic, the approval of PBS broadcast rights for the series hung in the balance as WGBH protested the network’s contract demands….

Programs/Content

Next, PBS Tuesday schedule goes for the flow

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If this is Tuesday, it must be history. At least, that’s what PBS hopes viewers think as the service moves forward with plans to identify specific program genres with days of the week. “People have had difficulty navigating through our schedule,” Kerger told TV critics gathered in Pasadena, Calif., for the Television Critics Association Winter Press Tour, where PBS previewed content Jan. 4 and 5. “Being able to build destination nights and really build programs that link well together on a single night seems to be working out quite well.”

PBS says its move of Nova from Tuesday to Wednesday, its new science destination, has encouraged it to create more theme nights.

Programs/Content

Downton returns, doubling average PBS evening rating

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The return of Downton Abbey proved to be a ratings blockbuster for PBS, while critics  mostly heaped praise on the Emmy-winning drama’s second season. Downton’s season premiere Jan. 8 [2012] attracted an average 4.2 million viewers, not including viewing through station replays, DVRs or online streaming.  That figure was double the average primetime rating for PBS and exceeded the average rating of the first season of Downton Abbey by 18 percent, the network said. That night PBS’s audience was 64 percent larger than on previous Sundays this year, reaching an average Nielsen rating of 2.0, TRAC Media Services reported. In strong PBS cities Boston, Seattle, San Francisco and St.

Development

PBS to produce sessions on TV fundraising at PMDMC

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Next year’s Public Media Development and Marketing Conference, the annual event organized by pubradio’s Development Exchange Inc., will include a new track for pubTV professionals, produced by PBS. The conference runs July 12-14 in Seattle. The track will focus on pledge practices, fundraising and community engagement around children’s programming, and television-specific research. DEI and PBS announced the collaboration in a statement Dec. 6.

People

News and Documentary Emmys, 2011

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It’s been a very good Emmy season for indie documentaries on PBS. POV received four of the six statuettes credited to PBS in the National Academy of Television Arts and Science’s Sept. 26 Emmy announcement. Two went to Food Inc., putting it at the top of the documentary and long-form informational programming categories. In a likely first for a Web-based service run by a radio network, NPR Music was honored by the Television Academy for the Project Song video “Moby” as one of two News & Doc Emmy winners for innovation in arts, lifestyle and culture coverage.

CPB

Preschoolers get 40-plus (count ’em!) new PBS Kids math games

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PBS Kids unveiled last week its largest offering of math-skill games for preschoolers — a cache of 40 games that can be played on computers, mobile devices and interactive whiteboards. “As the nation’s children continue to fall behind, we need to embrace new technology to help them learn,” said Lesli Rotenberg, PBS’s senior v.p., children’s media. Games include Monkey Jump from Curious George, which has kids hop along with George and count as they fill a toy-store bin with bouncing balls; Hermit Shell Crab Game from The Cat in the Hat Knows a Lot About That!, in which players help the Cat, Nick and Sally fit hermit crabs into shells of corresponding sizes and patterns; and Carnival Count-off from Fizzy’s Lunch Lab, which teaches children how to estimate added sums and count by fives and tens. PBS partnered with CPB on the project, which is supported by a U.S. Department of Education Ready to Learn grant.

System/Policy

Party backs GOP nomination debate at OPB in March

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Oregon Public Broadcasting will produce and provide to NPR and PBS stations exclusive coverage of a Republican presidential debate from its Portland studios March 19, 2012. The 90-minute debate “will come at a critical time in the campaign” before anyone sews up the GOP nomination, OPB President Steve Bass predicted in a memo to stations. “Super Tuesday is on March 6, but delegate counts indicate that it will not be possible for the nomination to be won by any candidate by then. Political observers believe that the nomination contest could very likely go into the late spring.”

The Republican National Committee has officially sanctioned the debate, which “virtually assures the participation of the front-running candidates,” Bass said. OPB is partnering with the Oregon GOP and The Washington Times to present the debate.

People

CPI hires four, Abumrad gets $500K MacArthur fellowship, three join FCC panel, and more…

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Ellen Weiss, the NPR News chief who took the network’s blame for the Juan Williams affair, has joined the Center for Public Integrity as its executive editor as of Oct. 3, the watchdog newsroom announced. The center is headed by one of her predecessors at NPR, Bill Buzenberg. “Ellen Weiss is one of the best and most creative news executives in the business,” he said in a news release. CPI hired three other top editors, including Christine Montgomery, the center’s new chief digital officer, who was managing editor of PBS.org for two years while it expanded and then sharply reduced its online-news plans.

PBS

Meet the cub of the tiger of the house that Fred built

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It hasn’t been a truly beautiful day in the neighborhood for more than 10 years. Not since Fred Rogers, star of Mister Rogers’ Neighborhood for 33 years, hung up his red cardigan sweater for the last time in 2001. He had made 900 episodes of TV’s most gently nurturing programs for children. A couple of years later, in early 2003, Rogers died of stomach cancer and, though his nonprofit company lived on, his Neighborhood became a ghost town, existing only in reruns. Two years ago, PBS cut the number of reruns on its national schedule to one a week — at 6 a.m. Saturday.

Programs/Content
Seun Kuti

Musicians’ stories join their music in Sound Tracks for PBS

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Steve Talbot worked in public TV for more than 20 years before trying his hand as chief fundraiser for one of his own projects. His timing was not the greatest. On the day in 2008 when Lehman Brothers imploded, PBS agreed to back the pilot for Talbot’s Sound Tracks, a newsmagazine-style show about contemporary music around the world. The hourlong debut, which aired in January 2010, got positive feedback from viewers, programmers and PBS, but the recession has hampered Talbot’s efforts to make more episodes of Sound Tracks ever since. He’s still raising money to produce additional episodes.

People

PBSd venture and MHz project aim to export public television

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Television viewers in Great Britain, the Middle East, Russia and India could soon be watching American public TV shows, if two initiatives get up and running in the coming months. The PBS UK channel is being bankrolled by W. David Lyons, an entrepreneurial oilman from Calgary, Alberta. The programming will be assembled by PBS Distribution (PBSd), a partnership of PBS and WGBH that holds international rights to a “significant number” of public television titles, said Jan McNamara, PBS spokesperson. In a separate venture, Virginia-based MHz Networks, which feeds international content to some 30 American public TV stations on its Worldview multicast channel, will reverse direction with its MHz America package, pushing local shows from at least five pubTV stations and independent producers to foreign markets. Each could be on the air abroad by year’s end or soon after.

PBS

Puerto Rico’s WIPR: adiós to PBS

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The latest station to leave PBS is a production powerhouse, but one not fully integrated into the nation’s English-dominated public TV system. Puerto Rico TV — WIPR, licensed to Puerto Rico Public Broadcasting Corp., which is controlled by the commonwealth government — dropped its PBS membership July 1. The station in San Juan sometimes produces up to nine hours of content a day, including public affairs, culture, sports, music, talk and food shows, as well as the island’s only 24/7 news channel, all in Spanish. It aired only the children’s shows from the PBS lineup, including the limited number with a Spanish SAP (secondary audio program) soundtrack. The station wanted Spanish versions of the rest of the PBS Kids shows.