• WUGA-TV in Athens, Ga., is cutting all local programming from its schedule and eliminating six staff members as of June 30, the University of Georgia announced Thursday. The changes come as a result of a study requested by Jere Morehead, president of UGA, the station's licensee. The study determined that the cost of ramping up local programming and student involvement for the station "was just too great relative to the cost of the operation," according to the release. WUGA will switch to carrying the PBS World Channel full-time beginning July 1. The move will save the university about $565,000 annually, the release said.
When Torey Malatia unexpectedly announced his resignation as president of WBEZ licensee Chicago Public Media Friday, July 26, news of the longtime leader’s exit reverberated across Chicago media and public radio.
As one of the most popular podcasts of all time, Public Radio International's This American Life has had to deal with its fair share of imitators and parodies over the years, and many other podcasts have appropriated the "This American..." moniker to draw attention to their own audio. On Feb. 5, SF Weekly spotlighted one such effort that was reportedly getting heat from Glass and his attorneys over trademark violation: This American Whore, a podcast covering sex workers' issues, created in November 2012 by Siouxsie Q, a San Francisco sex worker. Siouxsie Q first tweeted on Feb.
This American Life host and public radio superstar Ira Glass continues his foray into scripted entertainment, as a producer of a new television series in development at the Sundance Channel. The project, billed as T, will follow Terrence, a transgender man who has recently undergone sex reassignment surgery, and the story will be split between his present life as a male and former life as a female college student named Thora. Fellow TAL producer Alissa Shipp will also produce T.
Glass ventured into the world of independent film this summer with Mike Birbiglia's Sleepwalk With Me, which he co-wrote and produced. The film, which had a budget of $1 million, has grossed more than $2.2 million in theaters to date, making it a financial success. This is also not the first time Glass has dealt with a commercial TV station.
Current's Feb. 27 story on This American Life's recent breakthroughs with enterprise reporting describes the inspiration behind "Mr. Daisey and the Apple Factory," the story on Apple factories in China that was later retracted. Glass tells Current that after seeing Daisey's monologue last October, he was already “editing the radio version in my head” as he left the theater. “I thought [Daisey] was doing something remarkable,” said Glass, “which is taking a fact that we all already know — that these devices we love are made in China in conditions that are probably not so wonderful, and he makes us feel something about it.”
Glass invited Daisey to lunch, and he recalls feeling nervous when they met Nov. 16.
Update: On March 16, This American Life retracted "Mr. Daisey and the Apple Factory," its Jan. 6 broadcast that adapted monologist Mike Daisey's story about working conditions in Chinese gadget factories. Read more. Crunching a two-hour stage monologue into a 39-minute radio piece was a huge challenge for Ira Glass, e.p. and host of This American Life. Glass decided to adapt The Agony and the Ecstasy of Steve Jobs after seeing monologist Mike Daisey perform the show that skewers Apple and Jobs for the harsh working conditions in factories where adored Apple products are assembled.
Update: On March 16, This American Life retracted "Mr. Daisey and the Apple Factory," its Jan. 6 broadcast that adapted monologist Mike Daisey's story about working conditions in Chinese gadget factories. Read more. For 16 years, public radio host Ira Glass has charmed listeners with offbeat, quirky stories that captivated minds and won awards. Lately, he’s also been kicking butt, taking names and making a difference. It’s not quite that aggressive.
There’s some heavy-duty soul-searching going on in public radio. The Public Radio Program Directors conference, Sept. 20–23 in Baltimore, sidelined its usual celebrations of pubradio’s audience growth and its journalistic ascendency. Instead, participants grappled with big questions about challenges ahead and wondered aloud about how to move forward after a year of political calamity at NPR. Progress reports about ongoing reforms were freighted with a new urgency: giving exposure to innovative new programs, raising stations’ ambitions for local reporting, opening the field to more diverse voices and listeners.