Members of a Seattle-based media-watchdog group weighed in March 31  on a yearlong dispute between an antiabortion group and KUOW, the city’s all-news pubradio outlet, bringing the disagreement to an end for the time being. A majority of panelists convened by the Washington News Council voted in agreement that KUOW had made errors in a story involving the Vitae Foundation, and that the mistakes merited on-air corrections or clarifications. KUOW had already corrected and clarified the story, though only on its website. But most members of the WNC panel agreed that KUOW had no responsibility to give the Vitae Foundation additional on-air coverage after the story aired. Vitae had asked KUOW for on-air reporting as reparation for the initial story’s flaws, and initially the news council had backed that request.
Within a few hours of phoning the translator who refuted key details in a This American Life show about factories that manufacture Apple products in China, Marketplace correspondent Rob Schmitz was on a plane to meet her...
NPR journalists must seek management approval to sign work contracts with other media outlets, and most such requests will not be granted, according to a comprehensive revision of the network’s ethics guidelines approved unanimously by the network’s board Feb. 24. The board reaffirmed the network’s desire to regulate moonlighting such as the ongoing appearances of former NPR news analyst Juan Williams on Fox News — a gig that led to his firing in 2010 and an extended hullaballoo exploited by Fox and Republican partisans. Publication of the NPR Ethics Handbook concluded a 15-month process that the Board initiated after Williams’s dismissal. The guidelines specify that a news employee must get written permission “for all outside freelance and journalistic work,” a continuation of NPR’s previous policies.
Radio news veteran Jim Asendio resigned as news director of Washington’s WAMU-FM last week after an internal dispute over a private fundraising event turned into a public clash over the editorial firewall protecting the station’s newsroom. Asendio objected when top managers required him and two reporters from his staff to participate in a “Meet the Producers” breakfast and panel discussion that the station hosted for major donors Feb. 22. The choice was stark, the news director said: “I could either not show up and be in trouble, or show up and violate my ethics, so I tendered my resignation.”
The showdown, first reported by Washington Post media critic Erik Wemple, put a spotlight on one of the touchiest subjects in cash-strapped newsrooms — firewalls designed to protect working journalists from undue influence by funders and to prevent appearances that such conflicts exist. Similar conflicts are playing out behind the scenes at public radio stations across the country, according to Iowa Public Radio’s Jonathan Ahl, who is president of Public Radio News Directors Inc.
“Some of our members have given us the indication that people aren’t necessarily crossing the firewall, but they’re walking up to it and peeking over it” too often, Ahl said.
A commentary created through an experimental radio project of the New America Foundation turned a harsh spotlight on the editorial vetting process at Marketplace, which broadcast a first-person account Jan. 30  of a man who falsely claimed to be a heroic Army sniper. Whatever the editorial process at Marketplace missed, there were similar shortcomings at San Francisco’s KQED-FM, which also aired the piece, and at the big liberal foundation, whose media project was focused on inclusivity rather than excluding fakers. The two-minute piece by a man named Leo Webb, part of a commentary series titled “My Life Is True,” turned out to be largely untrue. As soon as it aired, the first-person commentary sounded like a load of bull to readers of This Ain’t Hell, a blog that critiques media coverage of the military and takes special glee in exposing phony war stories. It took only some basic fact-checking and a sharply worded blog post to set off an online spanking for producers of Marketplace, American Public Media’s flagship drivetime broadcast, and KQED, one of pubcasting’s top news stations.
Update, Nov. 10: The NPR Board postponed considering the ethics policy scheduled for its Nov. 10-11 meeting. Spokesperson Dana Rehm said work was not complete on two of the three ethics documents. "Management and the board determined that the best course of action would be to release the guiding principles of NPR's journalism, the handbook and the employee code of conduct at the same time so we're in a position to confidently answer everyone's questions about which principles apply to whom," Rehm said.
NPR is dropping distribution of World of Opera as of Nov. 11. The new distributor will be WDAV Classical Public Radio in Charlotte, N.C., and licensed to Davidson College. Lisa Simeone will continue as the show's host, the licensee said. Simeone, a freelance radio broadcaster, was fired Oct.
Public radio is once again struggling to define the line between on-air talent who report as ethically bound journalists and those personalities who are permitted to express opinions. Freelance radio broadcaster Lisa Simeone, a veteran host of public radio documentary and music programs, was fired late Oct. 19 from Soundprint, the independently produced long-form doc series, for violating NPR's ethics code. Her role as spokesperson for “October 2011,” an anti-war group aligned with the Occupy Wall Street movement that has staged protests in Washington, D.C., put her longtime affiliation with public radio in jeopardy. The Capitol Hill newspaper Roll Call first questioned whether Simeone’s activism violated journalistic ethics in an Oct.
Having witnessed the damaging one-round knockout of NPR fundraiser Ron Schiller in March, public radio’s development pros are working to adapt the lessons they’ve learned about ethics and prudence into a set of best-practices guidelines for use throughout the field. But they’re already tiptoeing around a clear discrepancy between the major ethical code of professional fundraisers and a common practice in public broadcasting — paid commissions on underwriting sales. DEI, the national agency for pubradio fundraising that convenes its annual Public Media Development and Marketing Conference in Pittsburgh later this week, has assembled a group to draft ethical standards for fundraising in nonprofit public media. DEI is leading the re-evaluation as part of its CPB-backed Leadership for Philanthropy project, which aims to help stations improve their major-gift fundraising. The main starting point for DEI’s advisory council is the Code of Ethical Principles and Standards of the Association of Fundraising Professionals, which prohibits commission-based compensation for nonprofit fundraisers.