Current contributor Adam Ragusea’s July commentary “Why you’re doing audio levels wrong, and why it really does matter” has become one of our most popular posts in recent months. Today Public Radio Exchange and the Association of Independents in Radio continue the conversation with a webinar on audio levels hosted by Ragusea and American Public Media technical coordinator Rob Byers, whom Ragusea interviewed for his Current piece. The hourlong session starts at 1 p.m. Eastern time; register here.
The Association of Independents in Radio and Public Radio News Directors Inc. have published guidelines to assist freelance reporters in negotiating pay rates with stations. The guidelines use a scale model that assigns three tiers to the experience levels of producers and also accounts for the effort spent on pieces. They also take station budgets into account. The suggested pay for a beginning-level reporter working on a “superspot” — a short-turnaround story involving minimal effort — is $100–$150. On the high end of the scale, an advanced-level reporter working on an “advanced feature” involving extensive research and a sophisticated narrative would command a pay range of $500–$900.
The Association of Independents in Radio and Public Radio News Directors Inc. are collaborating on a set of guidelines for local pubradio stations to consult when setting freelancer rates. To lead the initiative, AIR recruited Susanna Capelouto, former news director at Georgia Public Broadcasting. Over the next month, Capelouto will survey news directors and station managers across the country to inform the guidelines, which she hopes to publish by Dec. 1. AIR will draw from a pay guide that it developed for NPR in 2002 and updated last year and from a guide that it created for American Public Media’s Marketplace in 2012.
The recession in Dayton provides the backdrop for ReInvention Stories, a multimedia Localore project that brought together the Association of Independents in Radio, a local NPR station, and a pair of Academy Award–nominated veteran documentary filmmakers.
The National Endowment of the Arts announced $4.68 million in funding to 76 media-arts projects April 23, including new grantees such as the Online Video Engagement Experience (OVEE) developed with CPB funding, a new initiative from the Association of Independents in Radio called Spectrum America and Sonic Trace, a multimedia production at KCRW in Santa Monica, Calif., that was created through AIR’s recently concluded Localore project. For a second year, the NEA will continue to support projects that use digital technologies to go beyond traditional broadcasting platforms. In its announcement, the endowment highlighted a $100,000 grant to OVEE, a digital platform that allows web users to interact while watching PBS and local station content. The Independent Television Service developed the technology with support from CPB. AIR also received $100,000 for Spectrum America, a project that will pair media artists with public stations as they experiment with “new approaches to storytelling.”
Sonic Trace, a co-production at KCRW initiated through AIR’s 2012–2013 Localore initiative, received a direct NEA grant of $75,000 to continue exploring the experience of Latino immigrants. NEA also backed digital media projects at NPR, providing $100,000 for music programming and multimedia content.