Decades ago, Karl Schmidt occupied himself by staging elaborate award-winning works of theater for radio broadcast. At 90, he’s still weaving compelling stories on the air, but he’s down to a troupe of just one actor — himself.
... Friendly began toying with an idea for a permanent source of funding for noncommercial television. In the spring of 1966 he began considering the possibility that synchronous satellites might provide the magic potion for the fourth network....
The plan was for a Public Television Act with no mention of dusty old radio. Not everyone signed on to the plan. Readers’ sympathies will be divided by this narrative adapted from Jack Mitchell’s new book, Listener Supported: The Culture and History of Public Radio, issued in March 2005 by Praeger Publishers.You may root for the TV side or the radio side out of professional allegiance. Or you may instinctively align with the underdog, despite its rascally tactics — or perhaps because of them. The underdog in 1967 was radio, then a has-been technology that TV expected to leave behind.
The issue had been decided, Fletcher said. Congress would pass the Public Television Act and create the Corporation for Public Television. To bring radio in at that point, he concluded, would "change the scenario."
When producer Robert Saudek died in 1998, his New York Times obituary called him "the alchemist-in-chief of what is often called the golden age of television." From 1952 to 1961, the product of Saudek's alchemy was Omnibus, a weekly that did what public TV now aspires to do, but on commercial network TV. It turned out to be one of the last but finest gasps of the Cooperation Doctrine — the notion that commercial broadcasting could ignore the bottom line and the largest available audience. [More on the Cooperation Doctrine.]
For the December 1999 pledge drives, PBS distributed the first-ever TV retrospective on the famous series, "Omnibus: Television's Golden Age," from New River Media. The writers are William M. Jones, professor of political science at Virginia Wesleyan College and author of Omnibus: American Television's Season in the Sun, from Wesleyan University Press, and Andrew Walworth, executive producer and president of New River Media.