‘The Pub’ #79: The life and music of Don Voegeli, ‘All Things Considered’ theme composer

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Clockwise from top left: Don Voegeli with his puppet friend, ca. 1982; Voegeli ca. 1944; a score of the All Things Considered theme. Center, Voegeli with a Putney synthesizer, 1970. (Puppet and score photos: Jim Voegeli; others UW-Madison Archives) ​

Clockwise from top left: Don Voegeli with his puppet friend, ca. 1982; Voegeli ca. 1944; a score of the All Things Considered theme. Center, Voegeli with a Putney synthesizer, 1970. (Puppet and score photos: Jim Voegeli; others UW-Madison Archives)

Clockwise from top left: Don Voegeli with his puppet friend, ca. 1982; Voegeli ca. 1944; a score of the All Things Considered theme. Center, Voegeli with a Putney synthesizer, 1970. (Puppet and score photos: Jim Voegeli; others UW-Madison Archives)

Why has no one ever heard of Don Voegeli? He composed one of the most famous and enduring pieces of theme music ever written — the dignified fanfare that has played at the top of NPR’s All Things Considered every evening for four decades. It’s one of hundreds of pieces Voegeli composed for the early days of public radio.

Unlike Morning Edition theme composer BJ Leiderman, who negotiated a perpetual on-air credit for his work, Voegeli never asked for credit. He didn’t even ask for money. As a music professor at the University of Wisconsin and longtime employee of WHA (later Wisconsin Public Radio), Voegeli saw the music he contributed as simply an extension of his regular public service mission.

Don Voegeli died in 2009, but now his son Jim is hoping to remind the world just how talented, prolific and widely heard a composer his father was.

Jim has just completed assembling the four-CD collection Beautiful and Lovely: The Music of Don Voegeli. It includes many variations of the ATC theme, along with dozens of other early public radio themes, film scores, concert music and commercial jingles heard nationwide.

On this week’s episode of The Pub, Jim plays his favorite pieces from the collection and talks about his father’s remarkable and occasionally tragic life.

Also, in the Opening Shot, I talk about Ira Glass’s misnomer faux pas at PRPD, the BBC show Sarah and Duck and its amazing theme song, the resignation of BBC radio chief Helen Boaden, and the cancellation of Gimlet’s widely praised Mystery Show.

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We welcome your feedback on the show: You can reach me at [email protected] or @aragusea on Twitter; my supervising producer at Current, Mike Janssen, is at [email protected]; and you can contact Current generally at [email protected] or @currentpubmedia on Twitter.

If you’d like to offer a comment to be used in the program, please send on-mic tape (recorded in a studio, with a kit, a smartphone, anything) to [email protected] either as an attachment or through Google Drive. Please keep it short!

Adam Ragusea hosts Current’s weekly podcast The Pub and is a journalist in residence and visiting assistant professor at Mercer University’s Center for Collaborative Journalism.

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